1 年前
搜影视
ViuTV开拍新剧《i.SWIM》,以泳队为背景,由吴海昕(Sofiee)及港版「脸蛋天才」魏浚笙(Jeffrey)担正,Sofiee饰演剧中唯二的女角Miss翁、并负责带队出战。由于故事设定为男校,谈起Sofiee在剧中享齐人之福,她就自言其实好Man:「其实学校嘅戏充满血与泪,冇睇有几多男仔包围住我,而係睇佢哋付出几多坚持先游到终点,真係好青春、励志、感人!」 Jeffrey在剧中饰演余浪冲,他自介道:「我係一个天才,同几位兄弟感觉好青春;所有嘢都冇乜所谓,唯有对住施咏(袁澧林饰)先好执着!」又大爆与文青女神袁澧林有亲密戏份。 MIRROR成员吕爵安(Edan)及邱士缙(Stanley),两人在剧中饰演中学生兼游泳健将。。在TBS全清多镜头喜剧后,就一直开发各种单镜头喜剧,现在又预订一部黑色喜剧《Search Party》,背景讲述一群20多岁的年青人,因为前大学校友神秘失踪而再次重聚。 《Search Party》焦点在脆弱﹑失意的女主Dory(Alia Shawkat饰演)﹑对自己做的事并不自豪,最大的成就就是为她那从富有的雇主手中处理捐赠衣物。她亦觉得自己与男友Drew(John Reynolds)的关系如一潭死水,而Drew是个无知但又自满,还像个被宠坏般的人。 即使是好友Elliott及Portia(John Early及Meredith Hagner),她也觉得不断的跟他们疏离;Elliott是个自认的自大狂,老爱给自己的生活方式不停加各种头衔﹑Portia是个演员,长期在不安全感及病态式热衷中找平衡。 本剧由Sarah-Violet Bliss及Char...。Eburi is a 36 year-old man. Nothing enthuses him any more. While being drunk, he promises to contribute a story to a magazine. When he sobers down, he decides to write about the life of a salaried employee like himself who is very ordinary, not particularly talented.
The following is his story:
In 1949, Eburi gets married to Natsuko. His monthly salary is 8,000 yen and hers 4,000 yen. Therefore, both have to work to support themselves. Eburi has developed a habituIl tendency to pester around when he gets drunk. One year after their marriage, son Shosuke is born. In 1959, Eburi's mother dies in despair of her husband who has become listless due to the several ups and downs of gaining big profits and going bankrupt. His father is still alive and Eburi is enable to find a way to pay his father's debts. He is doubtful if he can make his wife and child happy. Nevertheless, he has somehow managed to survive so far, living in one of the houses at the employee housing quarters. He gives the title "The Elegant Life of Mr. Everyman" to his story of half novel and half essay style. When it is published, it receives the Naoki Literary Prize (the award given in memory of popular writer Naoki Sanjugo). At a party to celebrate his award, he gets drunk and pesters around.
Notes
The film is based on a novel written in the style of an essay under the same title by Yamaguchi Hitomi, depicting everyday life of a man categorized as "During-the-war Generation" who spent school days during the war and get married to start new life in the struggling post-war era. "Everyman" in the title means an average salaried employee who makes up an overwhelming majority of the city population in Japan, and "The Elegant Life" indicates sarcasm on betterment of the standard of living of ordinary salaried employees accompanied with Japan's economic growth after only a decade from the destroyed post-war period. As depicted in the film, the author Yamaguchi Hitomi was awarded the Naoki Literature Prize for this story. When he established himself well enough to become independent, he quit working as a salaried employee. Director Okamoto Kihachi and the leading actor Kobayashi Keiju belong to the same generation as the author. Exploiting innovative effects such as inserting animation sequences, the film humorously presents compassion of a middle-aged salaried employee. Kobayashi Keiju, who was originally noted for his excellent portrayal of salaried employee, won the best leading actor award of the Mainichi Film Contest for his superb performance in this picture.。